Two-transistor fuzz, 1966 style

Pedal and tube amp circuits, solved part by part the way SPICE (the circuit simulator engineers use) does it, while you listen and watch. Turn the knobs, change any part, or tap a wire to put a probe on it.

How to use the bench

Every part is simulated. Nothing you hear is a recording.

  1. 1Pick a circuit

    Choose one from the menu, or type a name, maker or year in Find a circuit. The buttons under the menu switch between versions.

  2. 2Set the knobs and the input

    Turn the circuit’s knobs on the front panel. In the Input box, choose Guitar or Signal generator, and the note or chord.

  3. 3Press Play

    Press Play through the circuit to hear a picked note or chord. Play the string is the guitar by itself.

  4. 4Tap a part

    Tap any part on the schematic to change its value, or swap the transistor, tube or diode. The red numbers are DC voltages, and they update as you go.

  5. 5Tap a wire

    Tap a wire to put the probe there. The Probe graph and the spectrum show the signal there.

  6. 6Try a change

    Press Try it on a card under Try this to hear one change, before and after. Modify this circuit, below the schematic, adds or removes parts.

Good to know

Modeled after the Dallas-Arbiter Fuzz Face.

Eleven parts and two transistors with feedback between them. Almost everything about how it sounds depends on the transistors, the guitar in front of it, and the temperature of the room.

Input

Add

Peak voltage from the pickup for each note. Strum hard and a single coil puts out a few hundred millivolts. When you play a chord, its strings share this level.

How it’s played
Tap a part to change its value, or a wire to probe it. To add or take out parts, open Modify this circuit, below. Red numbers are DC voltages to ground, not warnings. Scroll or drag sideways to see the whole circuit.
Modify this circuit Add parts, take them out, or put one in series with another, then hear what it does. Tap to open.

Pick what to do, then tap the schematic. Your changes show in purple. Any change can go on a switch beside the knobs, from the menu in its row under Your changes.

Add a part

Tap where each leg goes. Tap both ends of a part to put the new one across that part.

Change a part

With Remove a part on, tap any part of the pedal or amp to take it out, and tap it again to put it back. Tapping a purple part you added deletes it.

Turn on Add in series with a leg and tap a part. In that part’s box, below the schematic, pick which leg to lift and what goes in the gap, such as a resistor between a cap and ground or a stopper in front of a grid.

Change a wire

With Cut into a wire on, tap any wire. Pick a part from the menu and it goes in the gap, wired in. Volume pot puts a pot there with the input on one end, the output on the wiper and the other end to ground.

With Run a wire on, tap a leg, then where the wire goes. Drag any piece of a wire you ran, or of an added part’s lead, to square it up or move it.

Keep and share

Your changes stay in this browser, on this device, for your next visit. Nothing is sent to us. Anyone using this browser can see them. They’re lost if you clear your browsing data or use a private window, so save a file to keep a copy. A shared link carries the circuit after the #, a part browsers never send to a server.

Test tone for the graphs
The graphs use a steady tone. Play sounds a plucked string that dies away.

Input

pickup, unloadedat the pedal input

Output

at the amp input

Probe

Spectrum

Frequency response

What the curves mean

The ink curve is the response to a very quiet signal, from the generator to the probe. The blue curve is measured with pink noise at the level you set, like an audio analyzer. When stages clip, the blue curve pulls away from the ink one and the gray coherence line (right-hand scale) drops below 1. Then no single curve tells the whole story. Both use the signal generator, whichever Input tab is picked.

Output

Bias

every voltage and current at rest

What to listen for. Two transistors pulling on each other through one resistor, with the guitar as part of the circuit. Turn the guitar volume down and watch the input. The pedal loads the pickup harder than it loads anything else, so it cleans up as the volume comes down, and it acts differently after a buffer.

Download.

Parts and what they do

Stock values for the Germanium PNP version. Tap a part on the schematic to change it.

C1, 2.2 µF electrolytic
Input coupling cap. With the stage’s input impedance of a few kilohms, it sets the bass corner.
Q1, AC128, low gain
First stage, common emitter with no emitter resistor. Its collector sits close to the emitter, so it clips one side of the wave long before the other.
R1, 33 kΩ
Q1 collector load. Sets Q1’s current and, through the direct connection, Q2’s base voltage.
Q2, AC128, high gain
Second stage, direct-coupled from Q1’s collector. Its emitter feeds back to Q1’s base through R4.
R3, 8.2 kΩ
Most of Q2’s collector load.
R2, 470 Ω
The small end of Q2’s collector load. The output is across it, which throws away most of Q2’s swing on purpose.
R4, 100 kΩ
DC and signal feedback from Q2’s emitter to Q1’s base. It biases Q1 and sets the operating point of the whole pair.
Fuzz, 1 kΩ pot, linear taper
Q2’s emitter resistor, with C2 bypassing part of it. Turning it up bypasses more, which raises Q2’s gain and shunts away the feedback signal.
C2, 20 µF electrolytic
Emitter bypass cap on the fuzz pot.
C3, 10 nF
Output coupling cap. With the volume pot it sets the output’s bass corner, which rises as the volume comes down.
Volume, 500 kΩ pot, audio taper
Output level.

Versions

Germanium PNP
Positive ground. The ground rail is the battery’s positive terminal, so every voltage in the pedal reads negative.
Germanium NPN
Negative ground with germanium NPN parts. It’s the same circuit, with the same temperature sensitivity, on modern power polarity.
Silicon NPN
Negative ground, the usual modern arrangement.

How this tool works. Every part is an equation, and the whole circuit is solved several times per audio sample: 192,000 samples a second while you drag a knob, 384,000 once you let go. Transistors use Ebers-Moll with gain, leakage, Early effect, base resistance, junction capacitance and temperature. Their charge storage is set at the bias point, close for small signals and rough while they switch hard. Tubes use Koren’s equations fitted to each datasheet, plus grid current. Diodes are exponential junctions with series resistance. Presets are typical of each type. Caps are ideal, and the battery or HT is a voltage behind a resistance.

Spot an error, or want a circuit added? Email info@swellamps.com. A schematic or a clear photo of one helps. Anything you send may be used to improve these models and our desktop app.

© 2026 Swell Amplification LLC. All rights reserved. The simulator, its circuit models, drawings, presets and text are the property of Swell Amplification LLC and may not be copied, reproduced, redistributed or used to build another product without written permission. The original circuits are historical designs documented in public sources, and no claim is made to them. Everything here is provided as is, without warranty of any kind, for study and personal use. Results are simulations of typical parts, not measurements of any real unit. Don’t rely on them for the safety of any build or repair. Tube amplifiers carry lethal voltages.

Product and company names are trademarks of their owners. They are used here only to identify the circuits these models are based on; this site is not affiliated with or endorsed by any of them.

From Swell Amplification, swellamps.com.